Un caso diplomatico in seno alla Nato, che rappresenta probabilmente la punta visibile del complesso iceberg del deterioramento dei rapporti tra Stati Uniti e Ungheria.
Quest’ultima chiede chiarimenti sullo status di “persone non grate” sul suolo americano, affibbiato a sei funzionari, accusati da Washington di corruzione.
“Sono membri del governo, ufficiali governativi, persone che hanno a che fare col governo. È per questo che abbiamo informato il governo”.
Dei sei non sono stati resi noti i nomi. Si ipotizza che vi sia, tra gli altri, la presidente dell’autorità nazionale fiscale, Vida Ildikó.
Budapest, negli ultimi anni, è sovente arrivata ai ferri corti con Usa e Unione Europea, a causa di quella che viene definita una deriva autoritaria “putiniana” intrapresa dal primo ministro Viktor Orban.
Csatlakozzatok! Tiltakozzatok! Osszátok meg! Hogy megakadályozzuk a tájékozódáshoz és a kultúrához fűződő szabadságjogaink arrogáns, ostoba, totalitárius korlátozására tett kormányzati kísérletet.
A 150 forintos gigabájtonkénti internetadó nem csak az illegális filmletöltéseket érinti – mindenre vonatkozik, ugyanis a hétköznapi életünkben folyamatos adatforgalmat bonyolítunk. Ha elolvasunk egy internetes oldalt, ha megnézzük a barátaink fényképeit, ha a fórumokon kommunikálunk egymással, ha a YouTube-ot, az Indavideót, a Vimeót vagy más mozgóképes megosztó oldalakat használunk, ha feltöltünk a Facebookra családi képeket, ha azokat e-mailen küldjük a barátainknak, ha vásárolni akarunk… Vagyis életünk szinte minden pillanata internethasználatra, következésképp adatforgalomra épül, amiért eleve fizetünk a szolgáltatónak.
Az adatforgalom-alapú internetadó a legbrutálisabb ostobaság, amit ki lehet találni, és amivel korlátozni lehet a vizuális esztétika fejlődését ebben a feudálisan elmaradott, mentálisan egyébként is leépült országban.
Innentől kezdve csak vacak minőségű képeket fogunk nézegetni és feltölteni, nézhetetlen, többszörösen másolt, rongyosra nézett vhs-minőségű videókat böngészünk majd, amelyeken kivehetetlenek lesznek az arcok, a gesztusok, és alig lesz különbség a világos és sötét területek között.
Újra a postaládába dobjuk a leveleinket, mert olcsóbb lesz, mint e-mailben elküldeni egy csatolt dokumentumot.
Nem használjuk a skype-ot, ha barátainkkal, külföldre menekült rokonainkkal, ismerőseinkkel akarunk beszélgetni, vagy ha mégis, akkor kép nélkül, nem látva őket, hogy ezzel spóroljunk.
Olcsóbb lesz visszatérni a nyomtatott sajtóhoz, mint az interneten tájékozódni, élvezve a világhálón elérhető korlátlan információs gazdagságot.
Nem tudjuk majd használni a legális filmarchívumok anyagait, nem tudjuk megnézni a hatalmas és legális képzőművészeti és fotógyűjteményeket, nem tudjuk hallgatni a legális zenegyűjtemények anyagait, egy disszertációs kutatómunkákhoz nélkülözhetetlen, komolyabb internetes kutatás súlyos összegekbe fog kerülni.
Szinte a végtelenségig sorolható, hogy mi minden fog drága pénzbe kerülni. Olyan dolgok, amelyek nem illegálisak, nem fetisizált szenvedélyek, nem pornográfia, nem gyanús vagy tiltott tevékenység, hanem tájékozódás, kommunikáció, kultúra.
A kultúra emberi szükséglet.
A kommunikáció emberi szükséglet.
Az információ és a tájékozódás emberi szükséglet.
A sötétség és a némaság korát hozza ez a valóságtól elrugaszkodott, a technikai és civilizációs fejlődésnek ellentmondó és azt tagadó döntés!
Vakok, némák és süketek leszünk.
Egy veszedelmesen ember- és szabadságellenes kormány, és a magát isteni felhatalmazással bírónak gondoló, diktátori hatalomra törő miniszterelnök tudat, önállóság és információ nélkülivé tett rabszolgái.
Mert erre a tiltakozásra akkor is szükség van, ha tudjuk, hogy az egész megint csak egy jól időzített, az amerikai kiutasítások botrányát elfedni kívánó kormányzati akció. Ám, ha nem tiltakozunk, akkor simán bevezetik az internetadót. Tiltakozni kell, de közben nem szabad elfelejtkezni a kormány körüli, egyre dagadó nemzetközi botrányokról sem!
An intervention and audio installation by Szabolcs KissPál
Hope (2014) – 8 channel synchronized sound installation, 4:00 min loop, 9x2x3m, sound recordings, PC, speakers, prints
The Hope is a temporary public audio-monument, which was produced in a collaborative way.
During the official Holocaust Memorial Year in Hungary (2014) I have sent a request of collaboration to 23 Hungarian radio stations in which I asked the editors in chief to broadcast on the same day, at the same time a special recording of the Hatikvah (a 19th century song, since 1897 the anthem of the Zionist Movement and since 1946 the national anthem of the state Israel) with the following text:
„(…) I would like to invite the station that you manage to cooperation as part of an art project, the result of which I plan to present as a sound installation entitled Hope (…).
The commemorations of the Holocaust memorial year 2014 are taking place this year in Hungary. The preparations of the series of celebrations—as could also be followed in the media—were accompanied by discussions and debates from which has been seen that in spite of their common language, culture and everyday worries, the citizens of Hungary do not share a common remembrance past, that they are not bound to each other by a responsible, dignified, considerate and honest recollection that takes into consideration the individual, family and community experiences of all citizens of the nation.
The citizens of Hungary do not form a community of memory.
The different groups of the Hungarian society are interpreting differently the historic events of the past, the grievances they suffered, the deprivation of their rights, their humiliation or even the gravity of their failures and sins. Since they do not share the memories of the past, they do not have the same present either, therefore the fragmentation of the community memory augments further, which cannot and will not be absolved by any political remembrance act practiced by the state.
The work I plan would like to reflect on this situation and it attempts to create an invisible monument, which gives us the chance to live the moments of live, shared memory if only for a few minutes. For this purpose I make an appeal to several Hungarian radio editorials to participate in the production of this audio-monument.
In the hope of cooperation, therefore, I would kindly ask you to broadcast the Hatikvah sung by survivors in 1945 during the Jewish worship held on the fifth day after the liberation of the Bergen-Belsen concentration camp – on the sixty-ninth anniversary of the recording at 12:00 pm on April 20, 2014.”
(for a better experience please switch the video on HD and use headphones)
I left up to the editors to decide upon the content of the introductory text they will use.
Because of the various socio-political controversies around the celebration only two stations (Civil Radio, Klub Radio) joined the project by broadcasting the song in time, two stations broadcasted it at different hours (Tilos Radio, MR1 State Radio – this latter practically expropriating the project), the rest of the stations either reacted negatively with various excuses, or didn’t reply at all.
I recorded a four minutes sequence of the broadcasted content on the given day and time of all of the stations I contacted previously, and I have chosen 8 of them which are played simultaneously and synchronized in the installation.
The installation was first shown in the framework of the exhibition series Private Nationalism – March 27- April 30, 2014, Kunsthalle Kosice (SK), July 18 – September 28, 2014 Ostrale’14, Dresden (D)
–
Below you can read some of the e-mail reactions of the stations.
INFO RADIO
From: xxx@inforadio.hu
Date: March 26, 2014 9:01:26 AM GMT+01:00
To: szabolcs kisspal <kisspal.sz@gmail.com>
Dear Mr KissPál, Thank you for the opportunity you offer but being a news radio we cannot take it. We do not broadcast any music on our radio, not even as promos. We read the news every quarter-hour and the other programmes deal also with events from the public life, politics and economy in form of short reports.
From: info@musicfm.hu
Date: April 3, 2014 5:44:49 PM GMT+02:00
Dear Szabolcs KissPál, Unfortunately it is impossible for us to support your project within Music FM. We wish you success in the realization of the project.
From: xxx@budaors-radio.hu
Date: March 26, 2014 8:11:02 AM GMT+01:00
Dear Szabolcs KissPál, Thank you for appealing to us, we feel obliged. I read the material and listened to the recording. This event is so far away from us, so it does not fit among the topics of our radio, which deals with news from Budaörs and its surroundings. Also the quality of the recording is so noisy and bad, that it would be impossible for us to use it in this format. I think that the material should be improved by a sound technician so that the radios can broadcast it.
From: xxx@katradio.hu
Date: April 3, 2014 7:03:39 PM GMT+02:00
Dear Mr. Szabolcs KissPál, Thank you for your appeal and that you have addresed us. Since its foundation our radio considers it extremely important to consistently present the universal human basic values that are also represented by the Catholic Church. As a result, our programmes regularly contain objective presentations of atrocities committed as an assault against the human dignity of anyone, anytime and anywhere. We commemorate the memorial day of the victims of the Hungarian Holocaust this year also on April 16. In this programme it is not excluded that we would use the recording in question. On the date and time indicated by you we broadcast the prayer The Angelus and the daily gospel. These are the core program elements of the Catholic Radio the time of which we cannot change. We wish you the best for the exhibition and future work.
Yours faithfully xxxx, Deputy General Manager, Hungarian Catholic Radio Inc.
(On the day mentioned the material was not transmitted and there was no response to any subsequent appeals.)
From: xxx@c3.hu
Date: March 27, 2014 9:30:37 AM GMT+01:00
Dear Szabolcs, The answer to your question is Yes. The only thing we hope you have taken into consideration – although it does not change the decision, it is only a bit disturbing – is that this is on Easter Sunday. But I’m sure we can manage this thing somehow. About the conversation in my show before the transmission I decided that your speech would worth more no the days prior to the event, so I plan to invite you to Radio Klub for April 17 in the morning. I hope you can come in person, which would be more elegant after all. We would further contact you for the details!
From: xxx@gmail.com>
Date: April 19, 2014 11:17:43 AM GMT+02:00
Dear Szabolcs, It turns out that the Tilos can’t broadcast the Hatikvah at noon on Sunday either, because there will be an illustrious guest from India in the India programme and he refused to play the recording in the middle of the show. Papó suggested that I played it in one of my shows. We may choose from Alien heart (on Tuesday morning from 8 to 10) or Honthy and Hanna (on Friday from 16 to 18). Since on Friday afternoon far more people listen to the Tilos Radio, and because the show was supposed to be about the Holocaust anyway, we played the Hatikvah yesterday at about 17:50. We announced already at the beginning of the programme that we were going to play it and also that other stations are going to broadcast it simultaneously at noon on Sunday. I am very sorry we can’t do it on Sunday but this way it sounded as if it had been planned this way. So, this is how it turned out. I hope you are not totally dissatisfied.
From: xxx@civilradio.hu
Date: March 26, 2014 3:25:23 PM GMT+01:00
Dear Szabolcs KissPál, Naturally, we would gladly cooperate in the art event. We will play the recording at noon on April 20. Some kind of prologue would be necessary in our opinion, though. What do you think about that? Do you have any suggestions, ideas or thoughts that are worth mentioning?
From: xxx@radio.hu
Date: March 26, 2014 2:08:03 PM GMT+01:00
Dear Szabolcs KissPál,
Presently I am on leave but I read your interesting project proposal. At the beginning of next week I will ckeck it in details and answer you whether the Radio Bartók can participate or not.
In the meantime, let me ask you how do the broadcasting on April 20 and the sound installation in Pécs are connected? (Naturally the transmission on the radio of the 1.5 minutes long recording has to be accompanied by a short explanation.)
Date: March 26, 2014 2:54:30 PM GMT+01:00
To: xxx@radio.hu
Dear XXX, Thank you for your quick response. About your questions: – I plan to make simultaneously audible the audio material that was broadcasted (depending on any decision they made) by all of the radio stations I asked to participate in a separate, undivided, shared space of the exhibition. In the same space there will be exhibited the letter of request, the list of the radio stations that were asked to participate and the written reason of the stations, which although reacted, decided not to get involved in the project. – The manner in which the recording is introduced I leave to the editorial staffs. I am gratefully looking forward to your answer Szabolcs KissPál
I got no response on my mail, but on April 16 2014, as part of a feature of the Radio Kossuth, with a short introductory text, without mentioning my name and request, the recording was broadcasted, and a few minutes later I received the following mail.:
From: yyy@radio.hu
Date: April 16, 2014 2:17:32 PM GMT+02:00
Dear Mr. Szabolcs KissPál, We sincerely thank you for your letter! We also consider it important to commemorate worthily the victims in the Memorial Year of the Holocaust. At the same time we would like to make the moral lessons of the history our nation more easily recognisable and more feasible through the specific tools of the radio. This is why, like in previous years, on the memorial day of the victims of the Hungarian Holocaust the contents of many programmes on the channels of the Hungarian Radio will connect to the Memorial Day: selections of documents, interviews, portraits, etc. During the compilation of the programme for the day our colleagues also got interested in the BBC audio-document you recommended, which recorded the Hatikvah sung by the survivors at the ceremony held in the Bergen-Belsen concentration camp in 1945.
We share your opinion that the presentation of this recording can contribute to the strengthening of the nation’s collective memory. The Memorial Day of the victims of the Hungarian Holocaust serves as a worthy opportunity for this purpose. The recording was broadcasted on April 16 as part of a feature on the Radio Kossuth prior to the news, between 13:57 and 14h.
Yours faithfully, YYY XXX Radio Kossuth Radio Bartók intendant intendant
(…) In accordance with the aforementioned concept, the square of the Parliament has also been restored into its state of 1940, and renamed the „Main Square of the Nation” recently. It is now also adorned with the replicas of earlier monuments of questionable politicians. The setting of historical kitsch is not only reconstructed but also further developed and expanded. Not far from the Parliament, on Szabadság tér (the so–called Liberty Square), a new structure named the Monument of Occupation is to be erected and inaugurated on the anniversary of the day when the country was invaded by the troops of the Third Reich – an ally otherwise –. In fact, after the invasion of the Wehrmacht, Miklós Horthy, the head of state at that time, stayed in power and continued as the “Imperial Regent” of the country, and was regarded as “Hitler’s last satellite”.
The monument is problematic not only because, as formulated by Jochen Gerz, it is “a reflection of the society”, but “it reminds the society of the past and its own response to the past – and in this case, the latter is the most disturbing.” As a work of art, it is just as embarrassing as it is inept as a monument. With a tympanum and classical columns in the background, it portrays an angelic figure who is being attacked by a large bird. The broken row of columns, as well as the figure of the angel – Archangel Gabriel – are similar to the monument on the Heroes’ Square. In this case, Gabriel symbolises the surrendered, innocent and vulnerable Nation of the Magyars, and the bird is the imperial eagle of the evil. It is in fact a very “primitive allegory”. As the art historian András Rényi noted, so primitive that it can be interpreted even by the “simplest child of the folk”. (…)
On September 23rd, President Barack Obama told delegates at the 2014 Clinton Global Initiative that from “Hungary to Egypt, endless regulations and overt intimidation increasingly target civil society.” On one hand, this is a welcome step in the fight against the tide of regressive policies and rhetoric aimed at silencing civil society activism sweeping across the world. On the other hand, it is also a sign of the extent to which civil society in Hungary, under the leadership of Prime Minister Viktor Orban, has found its voice restricted through the illiberal actions of the state.
Indeed, “illiberal” is by no means too strong a word to use in the case of Mr. Orban’s leadership, given that the prime minister laid out his intentions (according to English language media reports) to build “an illiberal new state based on national values” in a speech in July. In the same speech, Mr. Orban gave a clear indication of his distaste for the foreign funding of advocacy organizations in civil society, stating, “We are not dealing with civil society activists but with paid political activists who are trying to help foreign interests [in Hungary]” and calling it good that a “parliamentary committee has been set up to monitor foreign influence.”
Those words are likely to ring in the ears of those who have experienced the recent crackdown on foreign-funded NGOs in Russia, as Mr. Orban seems close to echoing the language used in a 2012 Russian federal law that seeks to tackle foreign funding of “political activities” by NGOs, which it terms “foreign agents.” Under the law, NGOs must register as a foreign agent in advance of receiving funding from abroad, or its executives may face punitive fines of up to 300,000 Russian rubles—approximately €5,896, or $7,485—and the organization will risk suspension.
Though Russian officials have claimed the term “foreign agent” is in fact a legally neutral one, others, including Nils Muiznieks, human rights commissioner for the Council of Europe, have expressed concerns about the effect this language will have on public perceptions of NGOs, with Muiznieks commenting that “continuing use of the term ‘foreign agent’ in the legislation and practice in relation to NGOs would only lead to further stigmatization of civil society in the Russian Federation and will have a chilling effect on its activities.”
How Prime Minister Viktor Orban and his populist-right party is slowly destroying his country’s democracy.
BUDAPEST, Hungary—It’s a few days before the May 25 European Parliament elections, and the streets of Budapest are awash with colorful campaign posters urging Hungarians to vote for delegates to represent their country in Brussels. It would be a shining display of democracy in action, a comforting reminder of Hungary’s 10-year membership in the European Union after decades of repressive communist rule, if not for the fact that almost all the signs are for one party—the ruling populist-right Fidesz.
Photo by Yigal Schleifer
The party’s campaign advertising is inescapable. On subway platforms, its trademark orange greets commuters as they step off their trains. On sidewalks, signs proclaiming the party’s simple, yet telling slogan—“Only Fidesz!!”— are plastered on 15-foot-high, circular advertising kiosks towering over pedestrians. And on the highway into Budapest from the airport, I count so many billboards featuring the half-smiling face of Fidesz leader Prime Minister Viktor Orban, that it reminds me of 1980s Romania, when roads were lined with nothing but signs extolling the virtues of communist strong man Nicolae Ceausescu.
Tehát az első különbség a döntéshozatal módja. A kurátor nem tekintélyként vett részt a folyamatban, hanem olyan személyként, aki segített összefogni az alkotói energiákat és egy cél, a kiállítás megvalósulásának érdekében becsatornázta. Nem vagyok a bázisdemokrácia szakértője, csupán egy kollektív vállalkozás a Gólya, a hely ahol vagyunk, tagjaként tapasztaltam annak szépségeit, de hátulütőit, csapdáit is. Még a projektszerűen szerveződő eseti együttműködések is az egyenlőtlen teherviselés veszélyeit rejtik magukban. Habár a résztvevők elköteleződése nem ugyanolyan szintű, mégis ugyanannyi beleszólásuk van a közös ügyekbe, ez olyan strukturális feszültségeket hordoz magában, amely az adott együttműködés növekedésével csak valamilyen intézményesedés ha nem is státus de munka-alapú hierarchia útján oldható föl.
Nagyobb képben nézve, pedig a beleszólás lehetősége nem hozza magával a beleszólás megtörténtét is, hiszen különbségek a tudáshoz való hozzáférésben durva határokat húznak egyének és társadalmi osztályok között. Ugyanakkor egy kiállítás esetében jó kísérlet arra, hogy lebontsuk a kurátori pozíció eszményét és kikezdjük a hierarchizált, tekintélyelvű művészeti mező hagyományait.
MMA countdown – Free Artists welcomes the resigned MMA-members!
TRANSZPARENCIÁT!