Használd a tested / Use your body

The aim of all the techniques in this briefing is to increase the length of time that you can remain at the site of an action and therefore hopefully increase the effectiveness of your protest, whether you are blocking the entrance to a military base, stopping a nuclear convoy or preventing trees being cut down.
http://occupywallst.org/media/pdf/practicalprotest.pdf

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Gyülekezési jog

A Politikai szabadságjogok program része a szólásszabadság, a gyülekezési jog és az egyesülés szabadsága, továbbá a lelkiismereti- és vallásszabadság és a politikai részvételi jogok. A TASZ a Gyülekezési jog program keretén belül tüntetések, demonstrációk, felvonulások szervezésének, tartásának szabadságával foglalkozik, így azzal is, hogy az állam, a rendőrség milyen módon tudja, és milyen módon köteles ezen alapvető szabadságjog érvényesülését biztosítani.

A gyülekezéshez való jog alapvető emberi jog. A gyülekezések során bárki másokkal közösen kinyilváníthatja véleményét, legyen annak színhelye köz- vagy magánterület. A véleménynyilvánítás történhet némán, beszéddel, énekkel, maszkban, álldogálva, vagy menetben is.
http://tasz.hu/gyulekezesi-jog

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kapcsolat/contact

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Amennyiben hírt vagy információt szeretnél megosztani
küldj üzenetet az ellenpolus@autistici.org címen. Köszönet!

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If you have knowledge of any articles
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ANNOUNCEMENT for the International Press

The antidemocratic makeover of the cultural scene in Hungary
Please share and publicize!

Recent legislative steps in Hungary point towards the authoritarian transformation of the institutional structures and funding system of cultural life, by giving an ultra conservative artist group close to the rightwing government, the Hungarian Academy of Arts, an unassailable position of power. As a result of these decisions, the government has endangered the long term autonomy, professionalism and democratic procedures of Hungarian contemporary art.
The government established the Hungarian Academy of Arts (MMA) as the preeminent authority in the field of arts through the new constitution or Fundamental Law, which came into force on 1 January, 2012. The Academy, which was originally founded as a private association in 1992, is made up of artists strongly loyal towards the government. In order to be accepted as a member, the Academy requires a commitment to the nation, a certain “national sentiment.” In 2011 the Hungarian Academy of Arts was transformed into a public body, in a process lacking the minimum of transparency, and was provided straight off with a considerable amount of funding and its own a grandiose headquarters. In November the government further extended the cultural political role of the Hungarian Academy of Arts, endowing the organization with unprecedented power, including exclusive right of decision making over the contemporary cultural infrastructure – and a gigantic budget at the expense of the whole of the Hungarian cultural scene.
According to the announcement of the Ministry, the Academy will have the right to be involved in the committees deciding about important state awards, and next year the entire system of public cultural funding and subsidies will be reviewed in a process involving the president of the Hungarian Academy of Arts. This funding system, which up till now has been operated through advisory boards made up of representatives of the respective artistic fields – including the National Cultural Fund, the organization with the most comprehensive activity in the field of distributing state support on a professional basis – is in danger of being centralized and subordinated to a particular interest group, an ideologically based community.
The Hungarian Academy of Arts, according to their stated intentions, would take over several state tasks and responsibilities in the field of culture, thus for example they would participate in the selection of directors of cultural institutions and museums, and even encroach on how professional organizations work.
From 1 January 2013 the Műcsarnok (Kunsthalle) Budapest, which is the most significant venue and symbolic space for contemporary art in Hungary, will become the property of the Hungarian Academy of Arts. The Hungarian Academy of Arts will also have the right to define the principles and professional concepts of the art policy of the institution. Following this announcement, the present director of Műcsarnok has resigned.
The legal background of the Hungarian Academy of Arts may guarantee its legitimacy in legal terms, it does not however make up for its lack of professional legitimacy. The upgrading and extending of the role of the Hungarian Academy of Arts in cultural policy, including raising its budget without any public and professional consultation, have taken place in an antidemocratic way, excluding professional organizations and forums. Together with the general, dramatic financial restrictions in all fields of culture, these processes will result in the mutilation of the possibility of maintaining a diverse artistic environment in Hungary.
With these measures, the Hungarian government, through the Ministry of Human Resources, have given over the right to make the most important cultural decisions to a society of artists that avows and commits itself to conservative values and national culture, that also opposes the rejection of state and the church control, and rejects a contemporary culture that stands for the autonomy of art and believes in the critical social role of art. It has become evident that the political executive power intends to control contemporary culture in a direct way with the help of legal regulations and put an end to its still existing plurality.

Board of the AICA Section Hungary
(International Association of Art Critics)
contact: nemma@autistici.org or aicahu@freemail.hu

tacticalmediafiles.net

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Dancing on the stairs

Protest GANGNAM-style dancing on the stairs of Műcsarnok
on 10th December 2012, 10AM organized by Dancing on the stairs FB-group.
If you want to participate exercise and send an email
to: dancingonthestair@hotmail.hu

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A short history of MMA

In 1992 the Hungarian Academy of Sciences, on the proposal of Domokos Kosáry, founded the Széchenyi Academy of Literature and Arts for prominent representatives of those fields not included in the Academy of Sciences after 1949. As an associated institution of the Hungarian Academy of Sciences, the Széchenyi Academy of Literature and Arts has its own statute and is an autonomous organisation. (The budget law for 2013 has earmarked an annual HUF 12 million for its operation.)

In the same year, on 22 January 1992, the Day of Hungarian Culture, the Hungarian Academy of Arts (MMA) was founded by 22 Hungarian right-wing artists. There are some 150 members, including ordinary members, sponsors and honorary members. The Hungarian Academy of Arts is a common forum for Hungarian writers, artists, designers, architects, musicians, filmmakers and photographers. (The budget law for 2013 has earmarked an annual HUF 2.4 billion (!) for its operation!)

The Hungarian Parliament – in which FIDESZ currently holds a two-thirds majority – in 2011 voted for a new Constitution (Basic Law, taking effect 1 January 2012), in which the Hungarian Academy of Arts (MMA) was appraised and legally elevated to the status of public benefit organisation. This means that this sole institution has the authority to decide on and administer public duties related to the arts in Hungary – literature, music, fine art, applied art, design, architecture, photography, film, performing art and folk art – and further, to art theory, art funding, art education, and the national and international presentation and representation of artists.

The current President of the Hungarian Academy of Arts, György Fekete, speaking in an interview with index.hu, defined three conditions for becoming a member of the organisation: 1) having a mature, socially and artistically recognised body of work; 2) having an above average interest in the public sphere; and 3) having a clear national commitment.
In the phrasing of the last condition in the name of the Hungarian Academy of Arts, he declared an unambiguous commitment to the national aspect of politics, which was also evident in his previous discriminatory activities and statements.

On the basis of the above mentioned, the Hungarian Academy of Arts cannot be regarded as a cultural organisation independent from the government. Its members intend to express their opinion on social and economic issues, as well as on art. It wishes to oversee representation of the art scene in public life, as well as in all such public bodies bound by law, in which participation is requested by government, or other state organs of national authority. The government intends to place the MMA in charge of auditing the resources of the National Cultural Fund, the Hungarian National Film Fund, the Gábor Bethlen Foundation (for Hungarian solidarity), cultural tenders of the National Co-operation Fund, and film tenders of the Media Support and Asset Management Fund.

The Hungarian government intends to elevate the President of this privately founded organisation (MMA) to a status equivalent to the President of the Hungarian Academy of Sciences, both in financial and legal terms. Without any kind of agreement with professionals working in the field of culture, the government is delegating mandates and licences to the Hungarian Academy of Arts, which would give control over the entire field of culture to an organisation that cannot be regarded as independent. This can lead to a series of irreversible and damaging processes in the fields of Hungarian culture and contemporary art in Hungary.

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MMA vs. Democracy

György Fekete, the actual chair of MMA expresses his views on art and democracy. The video is subtitled in English, German and French.

 

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